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Description

§ Kenneth Rowntree, ARWS (British, 1915-1997) Mlle Manicette Canière signed 'Kenneth Rowntree' (lower left) oil on canvas 54 x 46cm (21 x 18in) Other Notes: 'Mlle Manicette Canière' dates from the earlier years of Rowntree's career, characterised as it is by flat plains, a formalised composition, and bold application of paint. This lack of overt detail and paring down of forms was perhaps influenced by his Quaker roots. Throughout the late 1930s and early 1940s, Rowntree infused his work with French influences, having made trips to Gisors in Normandy in 1936, 1938 and 1939. In his earlier triptych, 'Homage to French Culture in the Nineteenth Century' (1938), Rowntree created a colourful tribute to French painting, literature and music on a monumental scale. According to John Milner, this work 'catalogues Rowntree's every French enthusiasm', and is a 'magnificent testament to Rowntree's erudition and delight in French culture'.(John Milner, 'Kenneth Rowntree', Lund Humphries, Aldershot, 2002). 'Mlle Manicette Canière' is not included in a comprehensive catalogue of Rowntree's works compiled by the artist's wife, Diana Buckley, and their son (Tate archives, TGA 200315). Craquelure evident, particularly to the centre of the canvas where vertical line extends across the width of the painting. There is also evidence of extensive cleaning and overpainting to the bottom left, sections under the table cloth, the girl, and approximately six areas directly behind the main figure.

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